AES67 vs Dante
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When it comes to professional audio networking, you might have heard about AES67 and Dante. Both are popular standards that help transmit audio over IP networks, but they serve different purposes and have unique features. If you’re setting up an audio system or upgrading your network, understanding these two can save you time and money.
In this article, I’ll walk you through the key differences between AES67 and Dante. You’ll learn how each works, their benefits, and when to choose one over the other. By the end, you’ll feel confident picking the right audio networking solution for your setup.
AES67 is an open standard for audio-over-IP interoperability. It was developed by the Audio Engineering Society to ensure different audio devices can communicate over IP networks, even if they use different proprietary protocols.
AES67 focuses on basic audio streaming features like synchronization, clocking, and transport. It uses standard protocols such as RTP (Real-time Transport Protocol) and PTP (Precision Time Protocol) to deliver high-quality, low-latency audio.
AES67 is widely adopted in broadcast and professional audio environments where devices from different manufacturers need to work together seamlessly.
Dante is a proprietary audio-over-IP networking technology developed by Audinate. It has become a leading solution for digital audio distribution in live sound, recording studios, and installations.
Dante offers a complete ecosystem including hardware, software, and management tools. It supports hundreds of audio channels over standard Ethernet networks with very low latency and high reliability.
Dante is popular for its plug-and-play nature and extensive device compatibility within its ecosystem.
Understanding the technical differences helps you decide which protocol fits your needs.
| Feature | AES67 | Dante |
| Type | Open standard | Proprietary |
| Audio Channels | Limited by network and device | Hundreds |
| Latency | Low (typically 1-2 ms) | Very low (under 1 ms) |
| Clock Synchronization | IEEE 1588 PTP | Integrated, automatic |
| Interoperability | High (multi-vendor) | Limited to Dante-enabled gear |
| Setup Complexity | Requires manual configuration | User-friendly software tools |
| Network Requirements | Standard IP networks | Standard IP with QoS support |
| Licensing | Free | Paid license required |
Dante’s integrated clocking system ensures ultra-low latency and tight synchronization without extra setup. AES67 relies on PTP for synchronization, which can be more complex to configure but offers excellent timing accuracy.
AES67 was designed to bridge different audio-over-IP systems. It allows devices from various manufacturers to exchange audio streams. Dante devices can support AES67 streams, but full interoperability depends on firmware and software updates.
AES67 is ideal if you want an open, vendor-neutral solution. It’s perfect for:
However, AES67 may require more network expertise to set up and manage, especially for clock synchronization and stream routing.
Dante is best if you want a turnkey solution with easy setup and extensive device support. It suits:
The main downside is licensing costs and being tied to Audinate’s ecosystem.
In recent years, Audinate has added AES67 support to Dante devices. This means you can route AES67 streams to and from Dante networks, improving flexibility.
This hybrid approach lets you mix open and proprietary systems, giving you the best of both worlds.
Both AES67 and Dante run on standard IP networks, but there are some differences in network setup.
Proper network design is crucial for both protocols to avoid audio dropouts and latency issues.
Cost is an important factor when choosing between AES67 and Dante.
| Cost Factor | AES67 | Dante |
| Licensing Fees | None | Licensing fees apply |
| Hardware Costs | Depends on manufacturer | Dante-enabled devices may cost more |
| Software Tools | Often free or open-source | Dante Controller is free, but ecosystem tools may cost |
| Training & Setup | May require more technical skill | Easier setup reduces labor costs |
AES67 can be more cost-effective for large, multi-vendor systems. Dante’s ease of use and reliability may justify higher upfront costs for many users.
The audio networking landscape continues to evolve. Here’s what to watch for:
Staying informed about these trends will help you future-proof your audio network.
AES67 and Dante are both powerful audio-over-IP solutions, but they serve different needs. AES67 offers an open, interoperable standard ideal for multi-vendor environments and cost-conscious projects. Dante provides a polished, user-friendly ecosystem with high channel counts and ultra-low latency, perfect for live sound and studio applications.
Choosing between them depends on your priorities: openness and flexibility versus ease of use and ecosystem support. Thanks to growing interoperability, you can even combine AES67 and Dante devices to build a versatile audio network. Understanding these differences helps you make the best choice for your audio setup.
AES67 is an open standard for audio-over-IP interoperability, while Dante is a proprietary audio networking technology with a complete ecosystem. AES67 focuses on compatibility, and Dante emphasizes ease of use and high channel counts.
Yes, many Dante devices now support AES67 streams, allowing interoperability. However, some Dante-specific features may not be available when using AES67 streams, so network configuration is important.
Dante typically offers lower latency, often under 1 millisecond. AES67 latency is low but usually around 1-2 milliseconds, depending on network setup and device support.
Yes, AES67 is an open standard with no licensing fees. This makes it attractive for multi-vendor systems and cost-sensitive projects.
Both protocols run on standard IP networks. Managed switches with Quality of Service (QoS) and support for IEEE 1588 PTP (for AES67) are recommended to ensure reliable, low-latency audio streaming.